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Novels in New York # 20: Serpico


I received this book as a gift decades ago from high school classmates on the occasion of my birthday. The boys, then much more enlightened than me, chose this gift instead of something much more material (and perhaps the most desired). I thanked him warmly and put it in the family library, reading through old school, side by Cuore by Edmondo De Amicis and school memories of John Moscow. Then, years later, I happened to see the film of the same name , gorgeous, directed by Sidney Lumet and starring Al Pacino and, with his tail between his legs, I picked up the book and devoured it.
The story of Serpico, the cop Frank Serpico , è la storia di un cavaliere solitario sui generis, agente anticonformista che combatte una battaglia, durissima, contro la corruzione che dilaga nella Polizia newyorchese alla fine degli anni 60 e nei primi 70: "La subcultura imponeva le proprie regole. Se un poliziotto era, diciamo, cattolico, andava a messa tutte le domeniche, perché altrimenti rischiava l'inferno; ma accettare bustarelle non gli sembrava un peccato."
Peter Maas (1929-2001) è molto efficace nel raccontare con il ritmo del giallo d'azione una vicenda costruita sulla base di verbali e documentazioni. A tal proposito mi è tornata alla mente una confidenza di un amico che, grande lettore, mi disse di aver perso interest in pure fiction and that he converted to the novels based on true stories, because "the stories are true and most are beautiful." Here, Serpico is a true story and tells a New York real, raw and dangerous as the city was in those years. There is a lot of Brooklyn, where the officer lived at the beginning: "About two and a half one morning, headed to Fulton Street, a wide busy road that now is the commercial center of Brooklyn, but on which, when Serpico was assigned all'Ottantunesimo, opened only decrepit shops ") but also a lot Village where Frank moved gradually so that we can define: " still lives in his parents' home in Brooklyn, but had gotten into the habit of renting, from time to time, for a month at a time, furnished accommodation in the Village. " And it is the Village in those years, one of the most interesting New Yorkers of the novel. Serpico lives, dresses, thinks and walks like one of the many writers, artists, poets, children of the Beat Generation and close to the hippie movement that roam the neighborhood.
The Village is not the Serpico-chic residential neighborhood it is today and the atmosphere of these pages is one of the strengths of the book, regardless dal'intensa, exciting and - I remember once - true story of the protagonist.
As usual, in the case of out of print books, the illustration is my personal copy of the 1975 and indicated that the latest edition is available.
Serpico, Peter Maas, Superbur Rizzoli, 1980

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Novels in New York # 19: The City Novels in New York


The City Invincible is many things.
It 's a great Italian title for a book about New York instead of the more cryptic Netherland the original version. And 'one of the best novels about the post-September 11. And 'one of those rare books that tells the story of cricket. It 's the good work of the third Joseph O'Neill. E ', last but not least , one of the favorite books of Barack Obama, whose "presidential review" on New York Times Magazine has greatly contributed to the fame of the author.
The protagonist of the story is the financial analyst Hans Van der Boek, Dutch (as were the Dutch founders of New Amsterdam, the old New York City) married Rachel all'avvocatessa English. The Towers tragedy shakes not only the city but also their marriage and Hans in the end he just, he moved into the glorious Chelsea Hotel and runs for its namesake neighborhood (with detours to Brooklyn and Queens), one of the most seductive of city, with its old style buildings, small shops and the many dogs on a leash . "And I started in my second spring in Chelsea, to feel the desire to go wandering through my neighborhood, where every morning the sun stood out on the headquarters of the 6th Avenue so dazzling as to force him to drop his eyes and scans the sidewalk, also as scattered grains of sand, dotted with bright shiny discs chewing flattened gum.
inevitably makes new acquaintances, flirt a bit ', he meets characters more or less fanciful: a turkish going around with two wings, an eccentric artist, an odd widow. But the most extraordinary character is Chuck Ramkisson, mysterious businessman from Trinidad, who introduces Hans in the world of cricket, game tied to his childhood and the mysterious and ancient sport, where games can last even days, with stops for lunches and snacks for us and that is only a relative secular aristocratic baseball.
Chuck the motto "Think Fantastic" , is the mentor of the new Hans finds himself the only white man in the world of New York cricket, with the enthusiasm within himself the "American Dream "never vanished and told in first person with a fine exercise in memory and temporal levels through meetings, stories minimum (and maximum) of racial integration.
Melancholy and irony, bitterness and hope, are all elements of a choir that sings a love song to New York, the true protagonist of the book di O’Neill e collante di tutto il romanzo, scenario perfetto per la storia di un uomo che, come la città dove vive, vuole portare in salvo il suo futuro.
La Città Invincibile , Joseph O'Neill, Rizzoli Superpocket, 2010

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Invincible # 18 : A Home in New York in New York


Mi sono imbattuto in Una Casa a New York per caso, girovagando tra gli scaffali di una megalibreria della periferia di Roma.
E ho scoperto un eccellente scrittore.
Questo di Adam Gopnik è un volume imperdibile, che si colloca su un confine indefinito tra romanzo, inchiesta, diario e letteratura di viaggio. L'autore, un pò come accadde a Henry James (più volte citato nel volume) circa un secolo fa, torna a New York dopo un periodo di assenza nel quale ha vissuto a Parigi. Gopnik rientra nella City per scoprirla e riscoprirla e ce la racconta da un punto di vista molto personale, al tempo stesso realistico e romantico, giornalistico e filosofico. Ed è così che, a prescindere da dove ci troviamo, lo scrittore ci fa vivere a New York, ci fa sentire la città sulla pelle e nel cuore, grazie a piccole grandi storie di vita quotidiana, di incontri, di vita familiare, di bambini (suoi e non solo).
Gopnik, collaboratore del New Yorker dal 1986 è un osservatore acutissimo e un narratore efficace. Mescola aneddoti a filosofia, cronaca a cultura popolare, aspetti demografici a religione, sempre con originalità e senza mai annoiare. Pagina dopo pagina, respiriamo la splendida aria autunnale della città, partecipiamo a feste ebraiche, recite scolastiche, partite di baseball, trattiamo con vicini suscettibili, conosciamo la storia di locali jazz, di chef e ristoranti, alziamo gli occhi verso l'architettura per poi accorgersi che ci si vive dentro e riviviamo con un inedito punto di vista la tragedia di Ground Zero: "E' la città simbolica che ci attira qui, ma è la città reale che ci fa restare. Sembra difficile credere che la città andrà avanti, eppure è importante crederci, perché adesso sappiamo come sarebbe perderla, sarebbe perdere la vita stessa".
La New York che leggiamo is the city we love and that always turns out the original, new and evolving to be confirmed, if proof were needed, that there is always New York City - and much - to say, especially if you know how to write it.
The American title - Through the Children's Gate - it sounds very different from the Italian edition. Again, as often happens in Italy will tip the city in general, it is understandable, but I think it is worth quoting a passage from the book that refers to the original version: "We returned to New York in 2000 after years of separation , to cross the Children's Gate and set up home here, once and for all. the Children's Gate - the gate of the children - there is seriously it really is possible to cross it. It is the entrance to Central Park which is located at the crossroads of 76th Street and Fifth Avenue. "
confess that in my trip to New York I had never noticed the names of the various inputs of Central Park, the next time I will and I also will come in that poetic passage of children.
a house in New York , Adam Gopnik, Bloomsbury Publishing, 2010

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Novels # 17: West Side in New York Transylvania


that vampires are back in fashion no doubt. that vampires in New York are not new here too there is no doubt (we quote the film by Abel Ferrara The Addiction (1995) but also "A Vampire in New York " No 13 dated 1983 of the comic book series Martin Mystere, a character created by Alfredo Castelli.
There is also no doubt but that John Marks, producer of the famous U.S. Air 60 Minutes, is a good teller of horror. His latest novel
West Side Transylvania ( Fangland ) has as its protagonist the reporter Evangeline Harker, correspondent for TV show "The Hour", whose wording is right there, a stone's throw from where the Twin Towers fell.
Evangeline leaves for Transylvania willing to interview Ion torgue, murky underworld boss. It 'clear that things non andranno lisce ed è anche chiaro che Mr. Torgu non è solo un boss della malavita ma che “ha un qualche piano che riguarda New York, questo è evidente. E’ una specie di terrorista; ma le sue armi sono strane. E’ come un virus , e io l’ho preso. Mi ha infettata lui.” Un’atmosfera da tenebre pian piano invade gli studi televisivi newyorchesi, misteriose(?) casse arrivano negli uffici del network dall’Est europeo. L’orrore avanza, il Male pure: “Così come tanti immigrati prima di lui sarebbe andato a New York. Con le sue ricchezze criminali, posto che esistessero, avrebbe comprato uno di quegli eleganti alberghetti che stavano nel Meatpacking District.” Among
spray, not only metaphorically, of splatter and gore the adventure continues, nourishes and quenches thirst for blood, vengeance and dark plots throughout history. Transylvania West Side, John Marks, published by E / O, 2010
Marks reads, without hiding, the myth of Dracula Bram Stoker and transports it to our times, to New York after September 11. This update literature in the U.S. has been so well received that one of the masters of horror, John Carpenter, is preparing to direct the film adaptation.
Carpenter with the city of New York has a good relationship (see 1999: Escape From New York ) And, therefore, willingly, we'll see.
final note on the implementation of the Italian edition, which, unlike the original one , New York is focusing on the dimension of the story, both the image of the cover that in the translation of the title "Fangland" that more or less , meaning "The Land of the Fangs."
West Side Transylvania, John Marks, E / O, 2010