(La Ronde)
seen on DVD.
Based on work by Schnitzler the film follows ten people in their amorous encounters that follow them with each other in a sort of relay race of pleasure.
supported by a superb cast, the plot tends to lay bare the hypocrisy, the false naivete and deception put in place to make the sexual act decent, surrounding it with false, false love, false promises and a ring and customs. Ironically, then it seems that all men are indirectly linked by a series of reports.
On the whole, however, wins the shape and direction.
The form is supported by a deus ex machina that leads to pervasive and ubiquitous games, explains the report and move forward through the circle. This deus moves between characters and scenes from the unmasking of the fiction, including film. Superb start of the game in which the conductor walks through a stage in front of a stage and film set between trying to explain what he represents himself (not to mention the scene in which the coil cuts during the scene ' love between the actress and the count, humming the word "censorship").
The director is now blossomed ophulsiana classic, with a series of sequence shots more or less dizzy, but all delicate enough to be invisible if you're not careful. Ophüls designed a series of scenes based on his camera movements and not vice versa. Each story also has some unique styling, some attempt to frame the original, through the holes, through tissue, with crooked shots with a comparison with the flow of the restaurant, actors who look and speak in the room, etc. ...
A enjoyable film from every point of view, it also satisfies those looking for originality.
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