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The Black Swan - Darren Aronofsky (2010)

(Black Swan)

seen in the movies.

A dancer, almost out of time, still dominated by a mother who lives through her and inprigionata made acceptable only in a childish obsession with dance, getting the part of the prima ballerina in " Swan Lake. " Technically perfect, it has not the right spirit, the right look (the heart, says Cassel ), per interpretare il sensuale cigno nero. La sua frustrazione, la sua rabbia, ma anche la sua pulsione sessuale e la paura di essere sostituita determineranno in lei una trasformazione in una nuova personalità più carnale e viva; ma quello che lei vedrà (e che vede anche il pubblico) è una trasformazione fisica, una distruzione del suo corpo graduele e continua fino all'inevitabile finale che, come in una fiaba di Anderson, le donerà il successo, ma con costi enormi.

Non creod di esagerare se dico che il miglior film di Aronosfky (non ho mai visto " L'albero della vita ", ma a quanto pare fa schifo a tutti); and we blend in all his past works. There is so much "The wrestler ", framed with necks all the time, the camera that fills every frame with his protagonist, a character who lives through his body, which exploits and abuses in any way while to succeed (which I would almost say that Aronofsky is the most concrete of the new directors of the body horror ), but also puts us in the midst of all the disturbing madness " greek pi" (great use of sounds in this film like that) and the visrtuosismo behind the camera for "Requiem for a Dream " (but without all the fighetteria achiappagiovani).
Here I say here and deny it, this is also the best film about dance (ok, not of this kind I have seen many) as well as the best on the ratio (in this case patient) between art and life.

said that the film is a downward slide into the abyss of madness, made in a Relist and disturbing, a horror film that leads to true only in a sequence in the final for the rest of time creates a huge voltage constant as excessive and did not happen for quite some time now. It also has the advantage of not to exceed found in too kitschy (though there are, but we love them mmettere that Aronofsky) and uses a wonderful cast, with a Portman never so good.
Unfortunately, it is noted as the erotic component of the film has been greatly inflated by the critics, and those who go to see him only for what will dluso (I admit there are still bad ...).

An amazing film not seen for some time.

PS: Lovely also all the equipment of posters and advertising posters, Soviet-style or 30 years. Here's one bit, in addition to the one published above.